It was 1954, the 37th anniversary of the October Revolution in Russia. Vassili Nebolsin, the conductor at the famed Bolshoi Theater in Moscow, found himself without a suitable new work to open the commemorative concert. Within days of the performance, he turned to Dmitri Shostakovich to ask him to write something.

Southwest Florida Symphony Masterworks I Program Notes NOTES BY DR. DAVID COLE Dmitri Shostakovich: Festive Overture, Op. 96 How would music history have been. Buy Festive Overture by Dmitri Shostakovich/arr. Huns at jwpepper.com. Concert Band Sheet Music. Full of fire and brilliance, this exciting work is the p.

The composer, famous for working quickly, penned this overture in just three days. Shostakovich’s close friend Lev Lebedinsky provided a glimpse into what those three days were like. Arnheim Arte E Percezione Visiva Pdf Merge. Lebedinsky was with Shostakovich when Nebolsin visited his apartment to make the last-minute request. Almost immediately, according to Lebedinsky, Shostakovich sat down and began to compose. “The speed with which he wrote was truly astounding,” Lebedinsky recalled. New Honda City 2012 Brochure Pdf there. “Moreover, when he wrote light music he was able to talk, make jokes and compose simultaneously, like the legendary Mozart.

He laughed and chuckled, and in the meanwhile work was under way and the music was being written down.” Much of that laughter, in spirit at least, makes its way into this light-hearted and inventive piece. Despite its hurried composition, Shostakovich’s Festive Overture has become a staple of the orchestral repertoire. Indeed, the overture was featured in the 1980 Summer Olympics in Moscow and the 2009 Nobel Prize Concert. The rollicking work begins with a rousing brass fanfare, followed by a racing melody carried by the winds. The melody is then taken up by the strings.

The story behind the creation of the Festive Overture is one of those. Writing down the notes with. Truly festive work. Incidentally, Shostakovich. PROGRAM NOTES by Daniel Maki Festive Overture, op.96 by Dmtri Shostakovich (1906 – 1975).

A more lyrical counter-theme, played by the horns and cellos, enters. Shosta-kovich develops the two themes in counterpoint — his signature style of composition — and then ends the piece with a return to the fanfare and a rousing coda.

The overture manages to be both monumental and almost prankish in its playful inventiveness. In every measure, it seems to burst with life. Mozart – Sinfonia Concertante.

The Festive Overture in A major, Op. 96, was written by and premiered in 1954 at a concert held at the in to commemorate the 37th anniversary of the (which took place in 1917). The Bolshoi's conductor,, found himself without a suitable new work to open the concert, and contacted Shostakovich just days before.

The composer set to work on the with great speed, completing it in three days. He apparently based it on 's overture (1842), and it features the same lively tempo and style of melody. Whilst the style reflects Shostakovich, the piece as a whole uses very conventional classical devices of form and harmony. The overture begins with a in the, followed by a fast melody in the winds. The strings take up this melody and the piece reaches a climax with a four-note motif.

Suddenly, the music reaches a more lyrical melody in the horns and cellos, although the tempo remains the same. Shostakovich develops this material in his typical style, using both themes in, before the fanfare returns and leads to a rousing. The work is a standard piece of the orchestral repertoire.

A transcription for was prepared by, and is played by many bands all over the world. The overture featured in the in and the 2009 concert. Instrumentation [ ] Shostakovich scored the overture for one, two, three, three in A, two, one; four in F, three in B-Flat, two, one, one; a section with,,,, and; and. Shostakovich also included four offstage horns in F, three offstage trumpets in B-flat, two offstage trombones and one offstage bass trombone.

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