Dec 12, 2017 ‘Glass’ is a recording of an inspired live improvisation by Ryuichi Sakamoto and Alva Noto at the architect Philip Johnson’s hallowed Glass House. Ryuichi Sakamoto and Alva Noto: Glass jazz review by Nenad Georgievski, published on February 10, 2018. Inspiration 9 Software Serial more. Find thousands reviews at All About Jazz!

Contents • • • • • • Overview [ ] A minimalist album, it is characterized by an unusual experimental sound driven by piano and distorted, clipped samples (a sound which Sakamoto and Noto would also experiment with in in 2005). The album was elected among the first 50 albums of 2003 by magazine. It was also named album of the year in 2004 by The Wire magazine. Reception [ ] Vrioon places the same sort of minimalism in a very different context. You almost had to tune out Transform to enjoy it, it so filled with absence, but with Sakamoto's piano underlying the circuitry, Vrioon could conceivably be said to have a presence. The romantic Sakamoto dwells heavily on his feelings, soaking the music in melodrama wherever possible, and rarely alters the predominant tone of mumpish solemnity.

Thus noto's electronics take on a new purpose, adding enterprise to otherwise inward-looking compositions. Symbiosis in action. —Ben Tausig, Dusted Magazine Track listing [ ] • 'Uoon I' 13:51 • 'Uoon II' 9:40 • 'Duoon' 5:46 • 'Noon' 10:13 • 'Trioon I' 5:09 • 'Trioon II' 9:57 Personnel [ ] • Ryuichi Sakamoto – piano • Alva Noto – electronics • Carsten Nicolai – Additional Sounds References [ ].

Boomkat Product Review: Glass offers the sublime results of a collaboration between Ryuichi Sakamoto and Carsten Nicolai (Alva Noto), as performed and recorded at Philip Johnson’s Glass House in Connecticut during the private opening to Yayoi Kusama’s installation marking the 110th anniversary of Johnson’s birth. Making sterling use of the landmark architectural work’s pellucid dimensions, the pair fixed contact mics to its glass walls, which they effectively played as an “instrument”, rubbing it with rubber gong mallets to generate delicate tones which they combined with a sympathetic palette of singing glass bowls, crotales, keyboards and mixers. Snow Leopard Vmdk And Darwin_snow Isotopes. The seamless performance of floating, weightless tones and exquisitely quivering timbres is without doubt one of their finest. For the duration we’re held static and spellbound by the pair’s interplay of microtonal shifts and plasmic chronics, keening the listener thru hazes of digital dust and vortices of angelic harmonics to locate, alchemise and resolve a rarified, deeply mysterious spirit before the piece closes.

As the follow-up to their OST for The Revenant [2015] and the warbling keys of Summvs [2011] before that, the achingly lush tension of Glass is perhaps the purest testament to the clarity of vision and endless minimalist mutability of this highly revered duo. Boomkat Product Review: Glass offers the sublime results of a collaboration between Ryuichi Sakamoto and Carsten Nicolai (Alva Noto), as performed and recorded at Philip Johnson’s Glass House in Connecticut during the private opening to Yayoi Kusama’s installation marking the 110th anniversary of Johnson’s birth. Making sterling use of the landmark architectural work’s pellucid dimensions, the pair fixed contact mics to its glass walls, which they effectively played as an “instrument”, rubbing it with rubber gong mallets to generate delicate tones which they combined with a sympathetic palette of singing glass bowls, crotales, keyboards and mixers. The seamless performance of floating, weightless tones and exquisitely quivering timbres is without doubt one of their finest.

Dod Flip Ifr Supplement Pdf Merge. For the duration we’re held static and spellbound by the pair’s interplay of microtonal shifts and plasmic chronics, keening the listener thru hazes of digital dust and vortices of angelic harmonics to locate, alchemise and resolve a rarified, deeply mysterious spirit before the piece closes. As the follow-up to their OST for The Revenant [2015] and the warbling keys of Summvs [2011] before that, the achingly lush tension of Glass is perhaps the purest testament to the clarity of vision and endless minimalist mutability of this highly revered duo. Boomkat Product Review: Glass offers the sublime results of a collaboration between Ryuichi Sakamoto and Carsten Nicolai (Alva Noto), as performed and recorded at Philip Johnson’s Glass House in Connecticut during the private opening to Yayoi Kusama’s installation marking the 110th anniversary of Johnson’s birth.